Andersen Design Economic Evolution Discourse

 Our Stoneware Wren Sculpture is a popular classic  from our Ceramic Birds collection  When, as described in the previous post , I  presented my pitch to Mr Burns, I believe that he responded to the what he perceived to be a large scale idea, but did not recognize that the the need for a larger scale arises from the need to accommodate the breath and depth of our line of designs as well as the development of new designs. Our designs have retained their marketability for over half a century but because we use a hand crafted production process, our designs never saturated the market. The reason for envisioning  a number of networked production studios is because of the complexity of producing such a large line. If one can contract the crafting of designs to other studios, those studios can then focus on the specific skills and artistry involved in specific designs. Each individual piece has individual tricks that one has to keep in mind. Some pieces suc

In 2009 I attended a competition for what I thought was a small business grant, but later I found was "an investment". I made this mistake in part because I learned of it through the Maine Art Commission which had been sending announcements all year about the availability of stimulus grants - but when one opened the link, it was inevitably and exclusively for non-profits. When The Maine Arts Commission announced a competition for small business investment from an anonymous source I assumed it was a grant for a variety of reasons, including that it was for a very modest amount and that the source was anonymous. I wasn't paying much attention to those details as I had never entered such a competition before and there was a lot to processing taking place in a short amount of time. As later became apparent the anonymous source was the Small Enterprise Growth Fund , an investment corporation chartered by the Maine legislature to serve as an "instrumentality of