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Showing posts from May, 2019

What Difference A Curve Makes

The Large Salad Bowl with the two tones of blue leaves has been around for a long time. All the while I thought it was a beautiful decoration done on a bowl which had warped in the casting.
Recently. when photographing the bowls together, I realized I was wrong. The reason I thought the bowl was warped was because of what appeared to be a mis-shaped curve of the rim. I took it to be that the bowl had been trimmed when it was too wet and had released and curved inward. On closer examination, I realized it was not a casting error. The bowl was cast from a mold with a higher curve to the rim.
Observed side by side with another bowl it is obvious that there is no warping in the globe of the bowl. The blue flower bowl, shown from the back side, is the one on the right in the picture. Both bowls have perfectly formed globes. It is only the curve of the rim line which is different. This revelation identifies the blue leafed tree bowl as an original prototype which was cast and found unsatisfa…

Patterns in Stoneware Penguins and Trees

In my last post I began a discussion about how one identifies the author of a piece, pointing out the importance of the signature but that the signature can also be misleading. The true signature is in the hand of the artist which is as unique as handwriting. This One of a Kind Vintage Emperor Penguin was created when the decoration for the production design was under development. The overall uniformity of the pattern is one of the keys to identifying that the penguin is decorated by Weston and not by Brenda.

Weston's hand is patient, disciplined and rhythmic. The pattern is systematic but not mechanically uniform. Weston takes a philosopher's approach to pattern. The components of the pattern are integral to an inseparable expression of wholeness. The state of mind is at one with the beingness of existence. Weston patientently executes the teardrops in an organically flowing rhythm on the backside of the Emperor Penguin. A similar approach to pattern is shown in the vase, by…