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Showing posts from August, 2012

Ceramic Silpcasting and Mold Making - An Endangered Art in America?

One day  a mysterious object landed  on the table, wrapped in rubber bands.

I occasionally get inquiries from other ceramic designers looking for slip casters to produce their work. When the network that I envision manifests we can pass the request along to  production studios in the network.

There once was a slip-casting studio in Maine, which, I had been recommending, but I looked for the website yesterday to find that it is no longer active. leading to the conclusion that the production studio is no longer in business.


 Suddenly the rubber bands came off and the pod fell open.
Back in 2009 when I entered the competition for what I took to be a modest grant  appropriate to the micro economy. the same slip casting studio was then looking to expand to a new facility. It needed a specified amount of advance work orders to get off the ground. My Vision at that point had been published on-line for a  number of years, wherein I state that the development of a ceramic designer-craftsmen ne…

Update

You may have noticed that I haven't posted here for a while. That is because in order to start the KickStarter project we have to include a video, which we have not worked with so I have been busy learning animation using Adobe Flash CS6, which may or may not be faster than learning to make a more movie style video- but being that I didn't know how to do either, I had to choose one or the other and I chose animation.

I will get back to posting here but I need to keep my focus there for the moment. I hope to get back to writing this blog again soon.


Meanwhile- more pictures of the classic designs we have created in over 60 years. These are production pieces that retain their market appeal over the decades and are the basis for both productivity and a brand identity foundational to an American marketing enterprise.














A New Model of "Public Benefit", Learning Institutions, and the "Creative Economy"

We will be offering the large Fish as a reward in our KickStarter project, as a signed and dated One of A Kind series. The large fish was modeled by Weston Neil Andersen, after he developed macular degeneration. The stoneware fish is based on a Carp but is primarily an archetypical Fish, assembled, carved and decorated with artistic imagination by yours truly, Susan Mackenzie Andersen
Going back to the post on the British Pottery Industry, I introduced this research paper  The Strategic Management of Outsourcing in the UK Ceramics Industry, published by by The Manchester School Of Management in 2001. The paper represents industry thinking on outsourcing at that time, which advised outsource all activities except the core business activity.

However, as valuable a paper as this is, there are no set rules for which activities a company should outsource,and no set rules on what motivates the thinking process that leads one to such conclusions. The article merely discusses the state of t…