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Showing posts with the label production

Waiting in Limbo and Chaos as a Creative Writing Process

Let in confusion to reveal your message Photo by alexander-tsang-unsplash Waiting for the election results to come in feels like being in limbo. I read a Facebook post about companies giving employees a day break after the election. Trump supporters were all up in the air about the indulgence of the policy but as this election takes the long winding road to its conclusion it is really hard not to have one’s mind on the event until either candidate gets to 270. Either conclusion represents a transformative change for America and the world. I should say the United States and the world, but I prefer the alliterative sound of “America”. America is soft and lyrical while the United States sounds harder in its precision beats. America glides across the tongue and travels on wind currents around the world. Bono got it right when he said America is an idea, the idea on which the United States of America was formed, but America is where ever freedom is the most prevalent in the world at any tim

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In Appreciation of the Simple Form, White Says  it Well: Variations on the Cycladic Vase in White Small Mellon, Big Mellon Tall Modulus Vase in White Vintage Variation of a Cycladic Vase in One of a Kind Pattern  Christine Thalia Andersen's decorative expression on Sheeba, a form designed by Weston Neil Andersen, One of a Kind Sheba, form by Weston, Decoration by Christine Thalia Andersen A Vintage Turtle Prototype in Rare Matte Green Glaze Vintage Turtle Prototype in rare rustic yellow & green helmet with ebony body I really miss being involved in the ceramic making process, and the opportunity to teach it to others. Hope the New Year is the Year of the Phoenix! Mackenzie

Production and Consumerism in High Culture

This Eating Duck is included in our Vintage Fundraiser , priced to afford to launch a mug project with an existing American slip casting studio The Eating Duck is the last sculpture Dad worked on, and the first one in which the subject is involved in an activity as opposed to a portrait in repose. It began as our egg form vase and the sculpture was built around it. It seemed no co-incidence that the last sculpture Dad created, hatched from an egg, one of my Dad's elemental forms, suggests a future direction for the company he founded. As I worked with these images I realized that the subject matter calls out to be reproduced as an outdoor sculpture. The space created by the sculpture is very intimate. One can get very very close to the duck as it feeds. The Eating Duck is a natural subject for an out door sculpture in a rural public square or on a woodland walk, and a reminder of our planetary co-habitants in an urban landscape. It would be striking in a sculpture ga