Andersen Design Economic Evolution Discourse

One of a Kind Yellow Pitcher original prototype by Weston Neil Andersen copyright Andersen Design 1948 An anonymous benefactor has donated the funds for a memorial service for Weston Neil Andersen, founder of Andersen Design, who died in 2015. It is a daunting challenge but we hope to schedule the service in late August or Early Fall, the favored season for most of our most devoted collectors to visit the region. In the year 1952. Weston Neil Andersen and  his wife Brenda founded Andersen Design, The business development was as hand crafted as the products it produced. I credit the "can do" philosophy to my father's roots in the farming culture. Farmers are very independent self-reliant entrepreneurs. They grow things from the roots up and depend on the grace of natural forces for their fortunes. Andersen Design. was born, with a modest small business loan, self capitalization and a commitment to a vision which took years 15 years to establish on sure footing

Purchase this rare vintage original prototype for your collection The Blue and white stein is an Andersen classic. This stein is probably the original prototype. It is signed on the bottom with a hand scripted “Andersen”, painted in blue decorating color against a background circle glazed in white. It is very rare to find the signature on glazed background indicating that the work was created early on, before the glazed background was dropped for production reasons.  Before Weston designed the prototypes for individual pieces, he made many sketches of a complete line of functional forms on any piece of paper handy, including napkins from road side diners, This is likely the original prototype of the stein because he wasn’t thinking about brand identity when he signed it in simple script with his last name. By the time Dad did the second stein, shown with it in some pictures, the idea of a brand identity, complete with a logo, began to evolve as Weston started to s

Andersen Design is an American Designer Craftsmen Studio established by Weston and Brenda Andersen in 1952 on Southport Island, Maine, USA. The studio was established with a philosophy of creating hand crafted products affordable to the middle class. It designed original glazes and decorative techniques and designed a line of contemporary functional forms and nature sculptures, using slip cast production as the medium for creating art.  Brenda developed archetypical patterns as repeatable patterns to be rendered by the unique hand  of individual artisans so that no two were ever exactly alike. She also used the ceramic medium to create many one-of-kind artworks. One of her favorite subjects was portraiture. One of a Kind Vintage Portrait of Susan Bowl by Brenda Andersen This bowl is an original one  of a kind object created by Brenda Nash Andersen The story begins with Weston and Brenda setting out to create a unique and creative American ceramic desi

Click to Go to our KickStarter Campaign Preview I saw this Posted on FaceBook by Wendy Rosen, a mover and shaker in the American crafts market: REBUILDING MANUFACTURING & MAKING IN AMERICA by Wendy Rosen Wendy Rosen has been advocating for indelible labeling of imports for years. During  the beginning of the Baldacci administration, Wendy Rosen sent me an initiative on this and I submitted it to "the creative economy list serve" a list serve sponsored by Maine's public-private government, jurored by its friends. My message asked Mainers to contact Olympia Snowe but the overlords of the listserve rejected my submission. I then took the message to a local craft fair. I could not even finish my first sentence before people were grabbing it out of my hand. I told them that it had been rejected from the list serve. Someone suggested I contact Mrs Baldacci. I did so but did not get a personal response from the Governor's wife. Ho

  ORDER SECONDS IN STOCK HERE    OR Place Your Orders for Firsts – Soon HERE Tweet This!  http://goo.gl/5twfgu The mugs shown in this image have been decorated by myself, Mackenzie Andersen. This is the first time that I have ever done the Brown Tree  Motif as production decorating. That is to say I sat down and did a group of twenty mugs in one session. Production decorating is like doing a performance. It requires confidence in one’s natural and spontaneous style of working with a brush. One has to accept one’s self, enjoy one’s self and to be non-judgmental but one can observe oneself. The first thought that came to mind as I commenced the performance is that I want to channel my Mother, Brenda. Brenda had exceptional vitality in the way that she exercised the paint brush. Sometimes her work was expressionistic and at other times it was controlled without being in the least bit tight – as if she had perfect integration between mind and body, between what she was observing