Andersen Design Economic Evolution Discourse

This Eating Duck is included in our Vintage Fundraiser , priced to afford to launch a mug project with an existing American slip casting studio The Eating Duck is the last sculpture Dad worked on, and the first one in which the subject is involved in an activity as opposed to a portrait in repose. It began as our egg form vase and the sculpture was built around it. It seemed no co-incidence that the last sculpture Dad created, hatched from an egg, one of my Dad's elemental forms, suggests a future direction for the company he founded. As I worked with these images I realized that the subject matter calls out to be reproduced as an outdoor sculpture. The space created by the sculpture is very intimate. One can get very very close to the duck as it feeds. The Eating Duck is a natural subject for an out door sculpture in a rural public square or on a woodland walk, and a reminder of our planetary co-habitants in an urban landscape. It would be striking in a sculpture ga

This post is republished from my blog, Preserving the American Political Philosophy . Mug by Weston, Face by Brenda (c) andersendesign 1955 "This, is not a soup!"   by  Lou Ect  is licensed under  CC BY-NC-ND 2.0    "Smiley"   by  mag3737  is licensed under  CC BY-NC-SA 2.0  I was raised in a ceramic business in the home, which was different from its surroundings, making myself and my siblings, outsiders inside the classroom environment. When school closed and summer commenced, an alternate reality emerged, a world in which my family's art was sought after by a wide range of humanity. I felt welcomed by the foreigners and an outsider among local peers. Later when I left home for  NYC, circa 1966, I found myself surrounded by welcoming peers, a difference between night and day. It was New York City at the pinnacle of the flower power era when Greenwich Village was wall-to wall youth culture As you can imagine this formulated a peculiar psychology, so st