Andersen Design Economic Evolution Discourse

How I came to be recruited without an organizational background mitchell-hartley-unsplash I am taking a break from working on my consulting profile. Submitting my profile will mean having an agent for remote work. I was invited to do so as an outcome of publishing on my own as an unknown. In corporate speak, I have been recruited.  I am now creating my portal to the remote working community and scaling into the larger world where I have traditionally found greater acceptance. I have not the conventional background but the movers and shakers are not necessarily looking for conventional. All you have to do is watch a few TV series to know that! Right now I am watching the latest season of Billions. I remember it being more interesting than it is this season. The characters seem to have become more wooden or maybe they always were but it didn’t bother me before. It is useful to watch at this particular juncture because the show probably has a lot right about corporate culture. The charact

The middle sector is the artist’s focal point in this sculpture from the Bronze Age, raised from below and burdened from above -  Public Domain \ Published on Mediim's Data Driven Investor as Were Itinerant Craftsmen Free Agents During the Bronze Age and Why Does it Matter? The middle sector is the artist’s focal point in this sculpture from the Bronze Age, raised from below and burdened from above -  Public Domain Prior to the 1930’s when Australian archaeologist, V Gordon Childe, presented his theory about the metal smiths of the Bronze Age and their concomitant relationship to the power elite, archaeologists considered craft making merely as a result of economics. Childe identified the powerful role that prestige goods played in the early development of craft specialization and connected the emergence of craft specialists with an itinerant metallurgist culture in prehistoric Europe. A debate emerged around the social and political role that specialized craft prod

Originally created for Medium These  vintage prototypes  by Weston Neil Andersen, presented in the images throughout this story, tell of a love for the work process which evolved into our company,  Andersen Design Introduction I grew up in a business in a home that designs and handcrafts ceramics. For a while the business also had a production employing about 25 people in a separate location. It was found that our type of production is better suited to a smaller more intimate setting, such as a business attached to a home. However, over the course of 67 years, the size of the of the line grew too wide and large to be produced in a small studio and I envisioned that the future of production should be a network of small independently owned ceramic production studios, which could function as an interactive network. Last month my idea was an anomaly as if existing in an alternate reality, but as the world turned toward social distancing and sheltering in place, the world