Andersen Design Economic Evolution Discourse

Boothbay Maine confronts its past and future. P hoto by  Alif Assis  on  Unsplash I threw the Tarot cards today. The Moon reversed, is in an outcome position. Sometimes one has to let oneself be guided by psychic forces, requiring a surrender to faith existing at a visceral level of consciousness. The future can’t be planned or analyzed, only felt and listened toward because it is operating out of unbroken wholeness. Don’t try to justify or explain the long and winding road you are on, but if you have strong enough faith, follow it where it leads, stopping, along the way to smell the roses and enjoy the moments that are life itself in full living color P hoto by  Mackenzie Andersen  on  Unsplash I compose my blog by discovering the story as it unfolds, as I am doing now. I don’t know what the story is going to be until it says so. Dive in, and suddenly the story is in an ocean, coming in with the tide, influenced by the cycles of the moon. These days, humanity must take leaps of faith.

The middle sector is the artist’s focal point in this sculpture from the Bronze Age, raised from below and burdened from above -  Public Domain \ Published on Mediim's Data Driven Investor as Were Itinerant Craftsmen Free Agents During the Bronze Age and Why Does it Matter? The middle sector is the artist’s focal point in this sculpture from the Bronze Age, raised from below and burdened from above -  Public Domain Prior to the 1930’s when Australian archaeologist, V Gordon Childe, presented his theory about the metal smiths of the Bronze Age and their concomitant relationship to the power elite, archaeologists considered craft making merely as a result of economics. Childe identified the powerful role that prestige goods played in the early development of craft specialization and connected the emergence of craft specialists with an itinerant metallurgist culture in prehistoric Europe. A debate emerged around the social and political role that specialized craft prod