Andersen Design Economic Evolution Discourse

One day  a mysterious object landed  on the table, wrapped in rubber bands. I occasionally get inquiries from other ceramic designers looking for slip casters to produce their work. When the network that I envision manifests we can pass the request along to  production studios in the network. There once was a slip-casting studio in Maine, which, I had been recommending, but I looked for the website yesterday to find that it is no longer active. leading to the conclusion that the production studio is no longer in business.  Suddenly the rubber bands came off and the pod fell open. Back in 2009 when I entered the competition for what I took to be a modest grant  appropriate to the micro economy. the same slip casting studio was then looking to expand to a new facility. It needed a specified amount of advance work orders to get off the ground. My Vision at that point had been published on-line for a  number of years, wherein I state that the development of a ceramic desig

In 2009 I attended a competition for what I thought was a small business grant, but later I found was "an investment". I made this mistake in part because I learned of it through the Maine Art Commission which had been sending announcements all year about the availability of stimulus grants - but when one opened the link, it was inevitably and exclusively for non-profits. When The Maine Arts Commission announced a competition for small business investment from an anonymous source I assumed it was a grant for a variety of reasons, including that it was for a very modest amount and that the source was anonymous. I wasn't paying much attention to those details as I had never entered such a competition before and there was a lot to processing taking place in a short amount of time. As later became apparent the anonymous source was the Small Enterprise Growth Fund , an investment corporation chartered by the Maine legislature to serve as an "instrumentality of