Andersen Design Economic Evolution Discourse

This Eating Duck is included in our Vintage Fundraiser , priced to afford to launch a mug project with an existing American slip casting studio The Eating Duck is the last sculpture Dad worked on, and the first one in which the subject is involved in an activity as opposed to a portrait in repose. It began as our egg form vase and the sculpture was built around it. It seemed no co-incidence that the last sculpture Dad created, hatched from an egg, one of my Dad's elemental forms, suggests a future direction for the company he founded. As I worked with these images I realized that the subject matter calls out to be reproduced as an outdoor sculpture. The space created by the sculpture is very intimate. One can get very very close to the duck as it feeds. The Eating Duck is a natural subject for an out door sculpture in a rural public square or on a woodland walk, and a reminder of our planetary co-habitants in an urban landscape. It would be striking in a sculpture ga

Opportunity at the Economic Roots  Broken Platter.The Owl and the Pussy Cat by Brenda Andersen circa 1960's Part One A Call to Action! I first began blogging about political matters because I observed that there was a missing diversity of reporting and opinion in the Maine media. My purpose in writing my own blog is to create an alternative voice. I have likewise found this to be true in terms of access to economic development support in the Boothbay Region despite the existence of organizations which call themselves economic development councils and resources. The economic development council is as unapproachable as the Boothbay Planning Board, which despite language found in T itle Thirty of the Maine Statutes stating that the public "shall" have a hearing in regards to town planning, inclusive of comments submitted in writing, the Boothbay Planning Board  does not provide contact information on the town website , also true for the Joint Economic Developme

One of a Kind Bowl by Weston Neil Andersen Early Fifties or Late Forties . The bowl appears to be thrown suggesting that Weston may have created it when he was in Ohio. It is decorated in a wonderfully organic abstract pattern, identifying the decorator as Weston, rather than Brenda. The white rim on the outside of the bowl is uneven giving the work a humanistic appeal .The pattern is intuitive taking on a resemblance to a hieroglyphic alphabet arising from the personal sub conscience of the creator. Story narrated by Susan Mackenzie Andersen Introduction Andersen Design is not only the products which we make, we are also a brand. Brands become characters in our collective drama. The persona played out by the Andersen Design brand in the national and global drama is that of natural American individualism. free enterprise, and microeconomics. These traits are written into our history but what does that mean in today's world ? and why does it matter if the Andersen Design