Andersen Design Economic Evolution Discourse

Photos by Mackenzie Andersen have been accepted in the American Art Pottery Calender Photo Contest.  Please take a moment of your time to vote for the photos you like in this Contest. We hope it will include ours. Vote for multiple photos – 13 will be chosen for the calendar. You will receive an email confirmation to confirm each vote. Voting ends JULY 31, 2019. Winner will be announced on the American Art Pottery/ FaceBook Page August 1st, 2019. The art pottery movement in America began in the 1870s, coinciding with the beginning of the Arts and Crafts movement, which gained momentum in the 1880s. Wikipedia describes it as "  aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s" The work in the photos submitted to the American Art Pottery Calendar Contest is from the late forties to the early fifties. Our work is usually associated with the mid-century design esthetic but we are also American Art &

This post is republished from my blog, Preserving the American Political Philosophy . Mug by Weston, Face by Brenda (c) andersendesign 1955 "This, is not a soup!"   by  Lou Ect  is licensed under  CC BY-NC-ND 2.0    "Smiley"   by  mag3737  is licensed under  CC BY-NC-SA 2.0  I was raised in a ceramic business in the home, which was different from its surroundings, making myself and my siblings, outsiders inside the classroom environment. When school closed and summer commenced, an alternate reality emerged, a world in which my family's art was sought after by a wide range of humanity. I felt welcomed by the foreigners and an outsider among local peers. Later when I left home for  NYC, circa 1966, I found myself surrounded by welcoming peers, a difference between night and day. It was New York City at the pinnacle of the flower power era when Greenwich Village was wall-to wall youth culture As you can imagine this formulated a peculiar psychology, so st

One of a Kind Yellow Pitcher original prototype by Weston Neil Andersen copyright Andersen Design 1948 An anonymous benefactor has donated the funds for a memorial service for Weston Neil Andersen, founder of Andersen Design, who died in 2015. It is a daunting challenge but we hope to schedule the service in late August or Early Fall, the favored season for most of our most devoted collectors to visit the region. In the year 1952. Weston Neil Andersen and  his wife Brenda founded Andersen Design, The business development was as hand crafted as the products it produced. I credit the "can do" philosophy to my father's roots in the farming culture. Farmers are very independent self-reliant entrepreneurs. They grow things from the roots up and depend on the grace of natural forces for their fortunes. Andersen Design. was born, with a modest small business loan, self capitalization and a commitment to a vision which took years 15 years to establish on sure footing

Large Salad Bowl Form by Weston Neil Andersen: 10 inches diameter copyright Andersen Design 1970 Prototype of Form before lip was adjusted The Large Salad Bowl with the two tones of blue leaves has been around for a long time. All the while I thought it was a beautiful decoration done on a bowl that had warped in the casting. Recently. when photographing the bowls together, I realized I was wrong. The reason I thought the bowl was warped was because of what appeared to be a misshaped curve of the rim. I took it to be that the bowl had been trimmed when it was too wet and had released and curved inward. On closer examination, I realized it was not a casting error. The bowl was cast from a mold with a higher curve to the rim. lip comparison Observed side by side with another bowl it is obvious that there is no warping in the globe of the bowl. The blue flower bowl, shown from the backside, is the one on the right in the picture. Both bowls have perfectly formed

In my last post I began a discussion about how one identifies the author of a piece, pointing out the importance of the signature but that the signature can also be misleading. The true signature is in the hand of the artist which is as unique as handwriting. This One of a Kind Vintage Emperor Penguin was created when the decoration for the production design was under development. The overall uniformity of the pattern is one of the keys to identifying that the penguin is decorated by Weston and not by Brenda. Weston's hand is patient, disciplined and rhythmic. The pattern is systematic but not mechanically uniform. Weston takes a philosopher's approach to pattern. The components of the pattern are integral to an inseparable expression of wholeness. The state of mind is at one with the beingness of existence. Weston patientently executes the teardrops in an organically flowing rhythm on the backside of the Emperor Penguin. A similar approach to pattern is shown in the vase